20150908 C2140-058 070-487 C2140-046 70-533 BH0-013 640-911 642-813 000-454 2V0-620 IIA-CIA-Part3 EX300 PR000041 VCAD510 300-208 C_TSCM42_65 C_TSCM52_66 C2040-407 1Z0-599 VCP510-DT E20-007 HP2-E59 MB7-700 C_SM100_718 C4090-958 200-120 HP0-Y51 C4040-225 640-916 70-486 LRP-614 C4090-454 70-483 1Y0-400 70-489 C4040-129 070-488 70-534 MB7-702 CSSLP S90-01A 74-697 C4040-250 70-458 700-701 74-343 MA0-100 C2020-612 6402 OG0-093 70-412 MB5-705 A00-240 HP0-A116 MB2-700 101 VCP-550 70-410 EX0-117 220-802 EX200 070-414 70-466 400-101 C_A1FIN_10 HP0-J73 70-346 98-364 074-343 70-332 350-018 70-461 070-463 640-461 CV0-001 070-461 70-463 70-467 C_TAW12_731 70-411 70-247 1Z0-062 312-49v8 70-685 HP0-D31 070-466 400-051 70-786 810-401 220-801 70-457 642-874 70-417 070-459 74-325 C4040-251 200-120 640-864 070-331 SY0-401 070-462 AWS-SysOps 1Z0-053 DEV-401 70-487 1Z0-408 GPHR MB2-704 C_TFIN52_66 EX0-001 642-999 HP2-T16 98-365 MB2-702 700-037 PHR C_HANASUP_1 C_THR12_66 642-902 FCBA 300-101 200-001 646-206 100-101 1Y0-200 156-215.77 156-315.77 640-461 642-874 300-115 N10-005 300-115 70-486 102-400 MB2-708 E20-885 200-120 C4040-252 CCA-500 642-996 70-341 JN0-102 350-080 NS0-145 100-101 JN0-332 070-496 HP2-B115 070-480 70-414 MB2-701 C2020-632 070-646 C2180-186 700-038 350-050 070-461 1Z0-060 C2080-474 TB0-123 312-50v8 70-331 70-486 HP2-Z33 E20-005 C_TADM53_70 70-464 C_HANATEC131 HP2-Z12 70-480 CCD-410 FCNSP.v5 1Z0-481 70-462 300-101 A2040-405 HP5-B04D HP0-S41 9L0-422 200-120 NS0-157 810-401 VCPC610 C4040-250

September 2013


May 2012

'Okay, I'm a snoop. . . '

  Diane Sawyer

Diane Sawyer is anchor of ABC World News. Her elegant and energetic handwriting indicates that her life’s goals fly so high that most people think her dreams are merely castles in the air.  Yet Diane Sawyer’s handwriting shows she is clearly equipped and determined to reach up to grasp them, and she does.

Here is a sample of Ms. Sawyer’s script. She wrote it especially for an analysis by Sheila Kurtz, master graphologist and president of Graphology Consulting Group, the world’s leading handwriting analysis company. Ms. Sawyer's analysis is from precisely the same program that Graphology Consulting Group uses for on-line Clients.


The following is Ms. Sawyer’s Computer-assisted Handwriting Analysis Program™ Report (CHAP™).


Handwriting Analysis Report

Copyright 2012 Graphology Consulting Group. All Rights Reserved.

Individually Prepared for DIANE SAWYER, who discussed its otherwise private and confidential contents with Ms. Kurtz on the air during Good Morning America.


Poise and self respect are evident in your handwriting. You comport yourself with balance, freedom from affectation and with good composure.


There is evidence in your handwriting of excessive sensitivity to criticism, and your reactions may not always be constructive. Fear of criticism can operate as a goad (or a drive) to the perfection of skills and/or techniques; or it may be a self-imposed limit to productivity. The capacity to recognize excessive sensitivity to criticism may prove an asset to you, if you can learn to evaluate, with less pain, both positive and negative reviews of your endeavors by others.

Your enthusiasm is shown in the sweep of the T-bars across the letter stem. This is an indication of your strength of feeling. This trait indicates your ability to inspire others. (Keep sweeping your T-bars. It is a very positive trait.)

(Continued. Click here for the rest of Ms. Sawyer's report)






By Sheila Kurtz, Master Graphologist


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(A mirror image signature)

MICHAEL JACKSON drew the signature of a genius musician, but his textual script was that of a VERY troubled and fearful eight-year-old child. The sample above was written for GCG in Crayon and sent to us by Mr. Jackson.

DIANE SAWYER sets the highest flying goals for herself and she has the creative and energetic ability to reach most of them. (See story above.)

DAVID LETTERMAN blames and castigates himself for his inherent untrustworthiness.

JAQUELINE KENNEDY ONASSIS was private and self-absorbed, yet she was also idiosyncratic and vied for attention.


THOMAS A EDISON is graphologically famous for his sweeping t bar that indicates boundless enthusiasm and drive. 

MATT LAUER's sweeping t bars far above the t stem, in an umbrella shape, indicates a visionary thinker who maintains self-control. His puffy d loops indicate a sensitivity to criticism. The elegant banner at the beginning of the M in his signature flags a sense of humor and the needle points in the M point to a very fast thinker. 


FR.  SOLANUS CASEY is on his way to sainthood with a typical mischievous youth. His handwriting from his childhood until his death is now held by the Vatican and was analyzed by Sheila Kurtz as a part of the Vatican's fact gathering before beatification. We will add a sample of his handwrtiting when it is available.

RICHARD NIXON is an epic sad case of a prideful and powerful man whose self confidence flatlines along with his signature. 


PRESIDENT BARACK OBAMA is a much faster thinker than the average politico with a handwriting complex and strong enough to have become a computer font. 


LINDSEY LOHAN scripts block printing that lets almost nobody in, with signals of despair and depression.

Plus 1:


Isaac Asimov. The peculiar loops inside the a's and the c in Isaac are purely Asimovian and are rarely seen in graphology. They indicate a writer whose fantasy life is unearthly and who mixes the true with the untrue in devious and deceitful ways that work remarkably well in storytelling. The m in Asimov includes a needle point which indicates speedy thinking and the size of his letters signals a very large and healthy ego. If Asimov had not been a scientist and science fiction writer, he might have made a world-class crook. 







Because it does. Handwriting changes when your moods and conditions change. It speeds up, slows down, gets more and less pressured, slants one way and perhaps another, and changes as your mind changes. Because handwriting is brain-writing, in an active mind your script is never static but is sometimes grossly and often subtly expressive of how and at what levels you are currently operating. Certain fundamental aspects of handwriting formations remain essentially the same in most sane handwriting, such as emotional slant, patterns of thinking including methodical, investigative, intuitional and multifunctional.



The Creepiest Handwriting

of Any Politician, So Far . . . 


THIS SAMPLE of former U.S. Senator John Edwards’ writing was from a document in the New Hampshire Secretary of State’s office in Concord, whereupon Senator Edwards and several other candidates for the 2003 New Hampshire Primary wrote personal notes on a “Notice to Voters” form as a favor for the Secretary of State, whose office kindly copied and sent us the form.

 Senator Edwards wrote:

 “Because America works best when it works for all of us – thanks to New Hampshire – John Edwards”


 FOUR YEARS AGO, long before the sordid details came out, I was asked to analyze the handwriting of a bright and rising star of the Democratic Party, a good looking Senator from North Carolina named John Edwards.

He had earned the reputation as a brilliant defense lawyer; he was on short lists for vice-president; and he was preparing himself to run for President, with his cancer-stricken wife, Elizabeth, smiling loyally at his side.  He flashed Kennedyesque good teeth, a dimple, a big, insincere smile, fair hair and he enjoyed media affection. 

As an independent New Yorker, I was prepared at least to like him. Then I took a close look at his handwriting. 

I understood clearly for the first time how the hype and spin of a political campaign can cover up and attempt to erase the most fundamental flaws and faults in a candidate’s personality. I and my colleagues knew immediately that we were examining a handwriting whose writer we wouldn’t recommend for a midnight-to-eight security job at an empty warehouse. The handwriting clearly belonged to an unstable, conniving, furtive, shallow, creep.

I was shocked. I twice redid the examination and found the same results.


 A disturbing police mugshot of former Sen. Edwards when he was arrested for six felonies.


'Mysteriously Weird' Signature

 Of White House Chief of Staff





The signature of Jacob “Jack” Lew is among the most mysteriously weird (with goofy overtones) that we have seen in a quarter century of graphology.

It looks like an unraveled Slinky, and like most signatures is not necessarily indicative of the person who wrote it, but more likely the crafted image they want others to perceive. 

But who wants others to see him/her as a Slinky, unless that’s what he/she actually may be, psychologically speaking? It may be enlightening to know how that spiral signature came to be crafted by Mr. Lew. Is there a symbolism in it that most people cannot fathom? Is it a private joke?

The overall loopiness generally signals hyper-secrecy. He will carry secrets to his grave. He is also secretive about who he may actually be. He keeps his profile extremely low. 

Yet at the same time he draws a series of large, connected loops for his name, which looks so odd (or whimsical) that it draws immediate attention to himself. This contradiction must make for some funny moments in his personal and professional life. 

His imagination is probably as relatively large as the loops, and much of his energy is expended in the realms of abstract thinking, perhaps even religion.  The oversized loops warn that he might blow certain matters out of proportion. 

His thinking is both objective and methodical; he must connect all the dots. He is capable of taking the initiative and he desires responsibility.  The vertical slant of his writing signals a person who thinks before he acts. 



Graphology Consulting Group regards as an invasion of privacy the unauthorized or covert use of handwriting analysis.  We will not analyze a handwriting that we know was deviously or fraudulently obtained. We ask that all handwriting sent to us be of people who are aware and willing that their handwriting may be analyzed, or else are dead. We at GCG do not associate any name attached to a handwriting sample with that particular handwriting unless verifiable proof of authorship (for example, a video of the person writing the sample will suffice) is attached. Instead, all handwriting we analyze simply “purports” to be from the name attached, and we make no assumptions. Identifying handwriting by numbers, a pseudonym, or in code is preferred by us in order to minimize possible racial, national and gender bias. However, authentic handwritings from persons in the public eye are exempt from the invasion of privacy portions of this advisory. 



To call us with handwriting news and ideas,

our office telephone is 212-799-9296 in New York City.

For pictures and video, our email is sheila@graphologyconsulting.com  

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